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[i]Magritte's word-image paintings are treatises on the impossibility of reconciling words, images, and objects. La Trahison des Images challenges the linguistic convention of identifying an image of something as the thing itself. At first, Magritte's point appears simplistic, almost to the point of provocation: A painting of a pipe is not the pipe itself. In fact, this work is highly paradoxical.[/i]
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